Nuremberg Day 15 Box Office Collection: Another Near-Zero Day as Week 3 Begins

Day 15 (the third Friday) added only trace amounts to the film’s India total, aligning closely with the stagnant trend seen over the past several days. With occupancy levels hovering around 1–3% in the few specialty screenings that remain, the film collected what is effectively considered negligible in trade estimates.

Most multiplex chains have now reduced the film to one-off late-night or boutique-format screenings, keeping it available solely in select metropolitan areas, such as Mumbai, Delhi NCR, Bengaluru, and Chennai. Outside these cities, the film’s presence has nearly disappeared.

Since opening at ₹0.12 crore, Nuremberg has maintained a strictly niche profile, never expanding beyond its targeted cinephile base. Day 15 further confirms the film’s limited commercial scope in India, with virtually no mainstream traction.

Early Week 3 Trend: Minimal Visibility, Minimal Movement

Entering Week 3, Nuremberg displays the predictable characteristics of a historical, dialogue-heavy drama with limited theatrical appeal:

* Shows running to sparse or empty auditoriums

* Reduced operational screens, especially in non-metro regions

* A steady but extremely small trickle of earnings from a tiny set of dedicated viewers

Interest has largely plateaued, and the film’s specialized audience segment — those drawn to courtroom procedurals, political drama, and historical reconstructions — has already been reached during Weeks 1 and 2.

The transition into Week 3 marks the phase where the film’s theatrical revenue becomes largely symbolic rather than commercial.

Global Footprint Remains Relatively Better

Internationally, Nuremberg continues to fare more respectably, with worldwide earnings standing near US$6.75 million. Regions such as:

* The United States

* The United Kingdom

* Germany

* France

Have shown stronger appreciation through arthouse circuits, boutique screenings, and festival-driven venues. While not a worldwide box office success, the film’s international run benefits from critical acclaim and favorable genre reception in Western markets.
Its global performance contrasts distinctly with its India numbers, reaffirming that the film’s appeal is far more aligned with cinephile-oriented markets.

Approaching the Conclusion of Its Theatrical Run

Day 15 further underscores that Nuremberg is in the final stages of its India theatrical cycle. The key reasons for its muted domestic outcome remain unchanged:

* Niche subject matter

* Minimal marketing push

* Limited screen deployment

* Competition from larger Indian releases

Despite low box office traction, the film has earned appreciation for its gravitas, performances, and atmospheric direction. Much like other historical prestige titles, Nuremberg is expected to find a more receptive and wider audience once it transitions to OTT platforms.
For now, Day 15 solidifies the film’s quiet descent — steady, niche-driven, and nearing closure as its theatrical run winds to an end.