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Decoding Ranbir Kapoor: The ‘timeless’ Chocolate Boy of B-Town
Review Of Taj: Divided By Blood: Is Downright Defamatory To The Mughals
Review Of The World After Us: Is About Being Young, Reckless & Pennyless
Review Of Rabia & Olivia: Belongs In The Trashcan
Review Of Pamela, A Love Story: Gives Us The Real Pamela Anderson
Review Of Selfiee: Akshay Kumar Nails It As A Superstar On The Skids
Review of Colors’ Junooniyatt: Musical backdrop and performances of leads will be key to the show’s success
Decoding Janhvi Kapoor: A Sedulous “Performing Artiste”
Review of Colors’ Tere Ishq Mein Ghayal: A differentiator-in-the-making for Hindi TV
Review Of Ennalum Ente Aliya Is A Dull Witless Comedy
Review of Zee TV’s Lag Ja Gale: Namik Paul and Tanisha Mehta bring freshness to the story
Review Of 18 Pages: Contrived But Cute Take On Acts Of Kindness
Review Of The Night Manager: Aditya Roy Kapoor Shines In A Well-Assembled Jigsaw Thriller
Lack of Diversity: Indian Cinema Failing On ‘Representation’
Review Of The Romantics: Aur Nahin Gush Aur Nahin
Review Of Shehzada: Kartik Aaryan Shines In Shehzada
Review of Zee TV’s Maitree: Explored concept backed by an exceptional cast
Review Of Lost: “Know Means Know”…. Lost Is A Gripping Tense Expose On Erosion Of Values
All that glitters ain’t gold: Star kids who failed to make an impact in B-Town
Indian Cinema And Toxic Masculinity
Review of Farzi: A taut and cunning con ‘drama’
Review Of Rafta Rafta: A transition of romance
Review Of Almost Pyaar With DJ Mohabbat: Is Anurag Kashyap’s Mellowest Most Meditative Movie In Many Years
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