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Review of Netflix’s What Are The Odds: Dreadfully Droll and Consciously ‘Cool’ Film
Review of Capone: Ugliest Bio-Pic You’ll Ever See
Review of MX Player’s Official Bhootiyagiri: Sumeet Vyas steals the show
Asha Parekh’s Love For Filmmaker Nasir Hussain
Review of Bull: Is Inured In Pain and Suffering
Review of End Of The Century: A Gay Romance With A Difference
Review of short film Everything Is Fine: Conveys Much More Than What We See On Screen
(Covid-19 Impact) To Shoot or Not to Shoot: Time to Fix The Dilemma
Review of Amazon Prime’s Paatal Lok: Is Gripping From First To Last
Review of Baarish 2: A Kalpataru Family Drama From The 1960s
Review of Marathi film AB Aani CD: Quaint, Insipid, Uninspired
Review of Beanpole: A Dark Depressing Brooding Discourse On Desire
Review of Ullu’s Smartphone: Sharp storytelling, Hina Khan steals the show
Review of Netflix’s Murder to Mercy: The Cyntoia Brown Story: Says Nothing About The Law or Its Casualties
Review of VOOT Select’s Illegal: Gets Into Legalese With Aplomb
When Rishi Kapoor, Kamal Haasan and Ramesh Sippy Crushed On Dimple Kapadia
Review of To The Stars: Has A Great Film Lurking In Its Folds
Review of Netflix’s All Day & A Night: Wasted Opportunity to Portray Wasted Lives
Review of Netflix’s Mrs Serial Killer: Insufferable Pretentious Puerile Garbage
Review of Extra Ordinary: Horror-Comedy At Its Wretched Best
Review of The Rhythm Section: Not-Bad-But-Not-Good-Enough Thriller
When Rishi Kapoor Lost Dimple Kapadia To Rajesh Khanna
Rishiji, Alvida, Will Miss Your Moody Responses
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