Television
Digital
Movies
Music
Sports
Lifestyle
Gaming
Opinion
Review of ALTBalaji’s Gandii Baat 4: Bats for women’s empowerment, albeit with known retrograde clichés
Review of Darbar: Dubbed Hindi ruins Rajinikanth’s punchlines in Darbar
Review of ZEE5’s The Chargesheet – Relentless in pace, resolute in grip, razor-sharp in narrative
Review of Tanhaji: Saif, Sharad Kelkar steal the show
Amitabh Bachchan gets trolled for not speaking up, but why should he?
Review of Chinese film So Long, My Son: Is China’s Own Mother India
Year-Ender 2019: Top TV Controversies
Year-Ender 2019: Top Internet Sensations
Review of English film The Informer: Formula action at its fabulous best
Review of Netflix film Ghost Stories: A terrific opportunity lost to self-indulgence
Review of Sab Kushal Mangal: A wacky love triangle in the cow belt
Review of Shimla Mirchi: Why bother with this Mirchi?
Year Ender 2019: Top Bollywood Songs
Review of Bhangra Paa Le: A stuffed paratha of music, romance and nostalgia
Review of Cubicles – An effervescent take on the corporate quibbles of every young ‘un
Year-Enders 2019: Best Tamil films on the streaming platform
Amitji, You are one of your kind
Year-Ender 2019: Top TV Actresses
Review of Netflix film Dolemite Is My Name: Eddie Murphy at his raunchiest
Year-Ender 2019: Top Singers (Female)
Review of Spanish film Pain and Glory: Almodovar’s painfully glorious self-portrait
Year-Ender 2019: Actors with all the Moolah!!
Year-Ender 2019: Top 5 Newsmakers
Prev
92
Next
