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Review
Review Of The Mauritanian: Tahar Rahim’s Performance Lifts The Mauritanian
Review Of Bombay Rose: Is An Ambrosial Dreamy Ode To The City Of Dreams
Review Of MX Player’s Chakravyuh: Riveting To Its Bloodied Finale
Review Of Aelay: Is An Exasperating Father-Son Story
Review Of Roohi: Is Just The Antidote For Covid That Will Jab You In Your Funnybones
Review Of Coming 2 America: Is A Load Of Harmless Fun
Review Of The World To Come: Lush Look At Lesbianism
Review Of A1 Express: Celebrating The Neglected National Sport
Review Of Netflix’s Bombay Begums: Glorious Gallery Of Gorgeousness
Review Of Thirike: Is Moving In Spurts
Review of Netflix’s Homemade: Covidrama Flourishes In These Quickies
Review Of The Last Vermeer: For The Love Of Art
Review Of Savage: Sweeping Overwhelming Depiction Of NZ’s Street Gangs
Review Of Undine: Is Fey, Exotic, Inaccessible
Review Of Skyfire: Is Chinese Junk Food
Review Of Zindagi InShort: Is Heartwarming If At Times Overstated
Review Of Music: A Film That Will Make Your Heart Sing
Review Of Applause Entertainment & MXPlayer’s Hello Mini 2: Is Fun For The Young
Review Of The Girl On The Train: Parineeti Chopra’s Committed Performance Can’t Save This Disastrous Remake
Review Of Judas & The Black Messiah: Powerful Theme Suffers From Overkill
Review Of Cowboys: An LGBTQ Western Which Misses The Mark By A Whisker
Review Of Supernova: When Love Is Conquered By Illness
Review Of SonyLIV’s Girls Hostel 2: The Series Has Teeth, But Not Enough Bite
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