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Review of Netflix’s Choked: A Moderate Satire Redeemed by Actors
Review of Natkhat: An Unflinchingly Brutal Critique of The Male Gaze
Review of Netflix film Sergio: Hurt Locker Meets Dr Zhivago
Movie Review of Abe: Gives Us Food For Thought
Review of British Film Misbehaviour: Recreates A Momentous Chapter With Warmth
Review of Netflix Film The Lovebirds: Kumail Nanjiani’s Catastrophically Unfunny Wrong-com
Review of MX Player’s Raktanchal: Gore and Garrulous
Review of Ponmagal Vandhal: Narrative through a maze of outdated melodrama
Review of Forever My Girl: Is Mills & Boon Revisited
Review of Almost Love: A Celebration Of Diverse Relationships
Review of Netflix’s Betaal: Shallow, Shoddy and Ill-Conceived
Review of ZEE5’s Ghoomketu: Watch It For Nawazuddin Siddiqui
Review of ZEE5’s RejctX 2: An Edgy Taunt Thriller
Review of Netflix’s What Are The Odds: Dreadfully Droll and Consciously ‘Cool’ Film
Review of Capone: Ugliest Bio-Pic You’ll Ever See
Review of MX Player’s Official Bhootiyagiri: Sumeet Vyas steals the show
Review of Bull: Is Inured In Pain and Suffering
Review of End Of The Century: A Gay Romance With A Difference
Review of short film Everything Is Fine: Conveys Much More Than What We See On Screen
Review of Amazon Prime’s Paatal Lok: Is Gripping From First To Last
Review of Baarish 2: A Kalpataru Family Drama From The 1960s
Review of Marathi film AB Aani CD: Quaint, Insipid, Uninspired
Review of Beanpole: A Dark Depressing Brooding Discourse On Desire
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