Rhea Seehorn
Golden Globes 2026: One Battle After Another, Adolescence, Pluribus, KPop Demon Hunters, among others, win
The Golden Globes 2026 have made headlines again, with spectacular nominations. The nominations were all top-notch, and the winners were all well-deserved. Here are some of the well-deserved winners we think are worthy; if you missed them on the screens, watch them. In the category of Best film - musical or comedy 6 films were nominated, including Blue Moon, Bugonia, Marty Supreme, No Other Choice, Nouvelle Vague, and One Battle After Another. Leonardo DiCaprio starrer One Battle After Another took the crown in the category. The film has been a box-office succ | Click Here...
Amid AI debacle, Apple TV’s Pluribus Chooses Transparency In Credits With “Made By Humans”
Pluribus is getting all the love that it deserves. And now Vince Gilligan is prioritising transparency in the course to avoid the AI debacle from affecting their hard work. The show premiered on the 7th of November with two episodes and has made it clear that humans, not AI, made it. Gilligan earlier stated, “I have not used ChatGPT, because as of yet, no one has held a shotgun to my head and made me do it,” per Deadline. He, however, added that he holds no offence against anyone who uses AI. He further stated that he wrote Pluribus 8-10 years ago—AI therefore never came to hi | Click Here...
Pluribus Review: An Apocalypse In Yellow
Pluribus carves its own pathway. It's wildly original, risk-taking and implausible but in a good way. It throws dark and dry humour right into your palm. The horror you see is uncannily showcased. Vince Gilligan’s Pluribus asks the right questions on autonomy, conformity and meaning, without providing easy answers. Pluribus remains true to its concept, and execution remains flawless. The absurdism is the click, we suppose. It doesn't rush. It sort of percolates. It demands you sit with discomfort. You question yourself about what makes you a human. Telling the truth, slowly and st | Click Here...
Pluribus Trailer: Ambiguous, Dark & Unhappily-happy
The first thing that struck me was the colour yellow, as I watched the trailer. I was reading an article on “ArtInsolite” that confirmed my own understanding of the colour—confirmation bias is twisty. Still, at times, it also gives us a better sense of our critical minds. Yellow symbolises light, but it also possesses ambiguity. That is what the Pluribus trailer tried to showcase. You see a woman, Carol, always unhappy and bitter, trying to make it through. The nine-episode drama has been shrouded in secrecy, heightening intrigue. The story zeroes in on “the most miserable p | Click Here...