Subhash K Jha reviews Los Lobos

Review Of Los Lobos: The New-Age Pather Panchali

Los Lobos(Video On Demand)

Starring Maximiliano Najar Marquez, Leonardo Nájar Márquez, Martha Reyes Arias

Directed by Samuel Kishi

Rating: *****(5 stars)

Nothing prepares you for life better than life itself. Nothing prepares you for a film as powerful as this. As I watched this extraordinary Mexican film about a young single Mexican mother’s migratory experience in the USA with her two little sons, I felt I was being pulled into lives that I’d rather not get involved in.

Samuel Kishi doesn’t allow us the luxury of opting out. Once we are in, we in it for keeps. And we are all the richer for it. Los Lobos (the Wolves) took away a part of my heart for keeps. The director doesn’t pile on the misery and wretchedness. No, this is not poverty porn. It is way too sublime to qualify as anything less than a masterpiece.

I just wanted to bring those two little boys home and give them the best life and schooling that I could afford. Of course, it helps that the two kids in the main parts are played by two real-life brothers Maximiliano Najar Marquez, Leonardo Nájar Márquez. The younger one, too innocent to comprehend what life is doing to him. The older just beginning to understand how unfair life can be, locked in their one-room home in a sprawling apartment block, while Mamma goes out and makes a living.

As I watched the two little boys make the best of their cramped existence I was repeatedly reminded of Durga and Appu in Satyajit Ray’s Pather Panchali. Thrown into the wombs of abject deprivation the elder of two children becomes the guardian while the parent is out trying to make a living.

It’s a wretched hopeless life brightened by bouts of compassion, where a trip to Disneyland becomes the metaphor for an unattainable dream for migrants who come to foreign lands in the hope of a better life. Miraculously the narrative of non-negotiable nullity never gives into self-pity and misery . Everywhere around them, boys encounter a kindness that overrides their squalid existence: the Chinese landlady who gives the boys warmth and food when their mother is working long hours, the neighbour who steals money and return it quietly.

No, that trip to Disneyland doesn’t happen. But the film ends on hope and sunshine, not so that we go home feeling happy but because these three people we meet are hellbent on finding light at the end of the dark tunnel.

In these trying times Los Lobos tells us how imperative it is to be kind and generous to those less privileged than us.

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