Salaar
Rating: **
Shruti Haasan—yes, she is also in Prabhas’ homage to violent heroism—is being narrated the story of the the friendship between Prabhas and Prithiviraj.Ms Haasan ,whose American accent keeps dropping in keeping with the mercurial mood of the presentation, looks confused as the narrator progresses with the complex dynastic dynamics .We too share her perplexity.
What is Salaar trying to say about family ties and political allegiances in a society that seems to be run purely by brute force? Salaar, like director Prashanth Neel KFG can get dizzying to watch.Although Yash and Prabhas are two different character(the one loves to kill, the other does so only when pushed against the wall) the violence is pungent and relentless.
The vast cast has a blast, screaming ranting and swearing (though not very hard: Prabhas doesn’t like bad language). There is a mother figure somewhere in the orgy of mayhem who , and I kid you not, looks no older than Deva(Prabhas) her screen son and the very skilled Prithviraj Sukuraman , playing Vardha, who are upscaled versions of Karan and Arjun.
This is the askewed universe of Prashanth Neel—dark, sinister, threatening, inflammable and combustive– take it or leave it. Going by the roaring approval of the audience , I suppose they are more inclined to take this tumultuous trip into Prashanth Neel’s kink-dom , than to leave it. The film gambols with uninterrupted confidence, from one climactic cataclysm to another, until we reach the formal climax where hordes of underage girl in flaming-red sarees are rescued from a lecherous sex fiend by God’s chosen one.
The film gambols with uninterrupted confidence, from one climactic cataclysm to another, until we reach the formal climax where hordes of underage girl in flaming-red sarees are rescued from a lecherous sex fiend by God’s chosen one.
This being the year of action films(Pathaan, Gadar The Katha Continues, Jawaan,Animal) Salaar lays out a gallery of potent brilliantly choreographed stunt sequences where Prabhas dazzles as a consummate action hero. He has not been in a better shape since Baahubali .
So far in most of his films, Prabhas has struck me as being way too kind-faced to be taken seriously a man of action.In Salaar, Prabhas looks like he means business. Some of the action recalls KGF. But in a good way.
Prabhas’ fans are going to enjoy Salaar. As for the non-converts, there is not much to take home in the plot about a lone ranger ganging up with his best friend(Prithivraj who too is in excellent shape) to save an empire.
