The Taj Story, the courtroom-political drama headlined by veteran actor Paresh Rawal, along with Rasika Dugal and Rajit Kapur, continues to hold modestly at the Indian box office. The film, lauded for its bold writing and gripping courtroom exchanges, entered its second weekday stretch with stable but unspectacular figures.
On Day 12, the film is estimated to have collected around ₹0.35–0.40 crore (net India), taking its cumulative total to approximately ₹16.3–16.5 crore. After a satisfactory opening week and a decent second weekend, The Taj Story now appears to be settling into a gradual decline typical of issue-based dramas. Multiplexes in metros, such as Mumbai, Delhi NCR, and Pune, continue to attract steady footfalls, while smaller towns and single screens contribute minimally.
The second-week performance has reflected the film’s limited but loyal audience base—mainly urban viewers appreciative of strong content and Paresh Rawal’s commanding presence. The movie’s courtroom intensity and political undercurrents have earned consistent praise from critics, yet its lack of conventional entertainment elements has limited its mass appeal.
In conclusion, The Taj Story stands as a respectable, performance-driven drama that prioritizes substance over spectacle. While it may not achieve major commercial success, Paresh Rawal’s powerful portrayal and the film’s sharp courtroom storytelling ensure it remains one of the more notable content-centric releases of the season—a quiet success built on artistic strength rather than box-office fireworks.
