Abhijeet Bhattacharya Questions Neha Kakkar’s High Concert Fees: ‘Organizers Should Make Money Too’

In an exclusive conversation with Subhojit Ghosh on his YouTube channel, the singer praised Neha Kakkar’s vocal talent but questioned the soaring fees charged by some performers for live concerts, saying organizers should also be able to earn profits.

During the candid chat, Abhijeet described Neha Kakkar as “an excellent singer” and also had words of appreciation for her sister, Sonu Kakkar. “Neha is an excellent singer, and her sister Sonu is an even more excellent singer. But where is Sonu? She isn’t there,” he remarked while reflecting on how the industry has evolved over the years.

Speaking about the economics of concerts, Abhijeet said that as singers become more successful, their professional demands also increase. According to him, some artists charge such high amounts for live performances that it becomes difficult for event organizers to manage costs.

He pointed out that organizers not only pay the performers but also bear the expenses of large accompanying teams. “More than the audience, there is a big team. Organizers should be able to afford it too. They should not lose money; they should make money,” Abhijeet said, adding that concerts and stage shows are very different concepts and should be treated accordingly.

His latest remarks come against the backdrop of his much-discussed disagreement with Neha Kakkar on the sets of Superstar Singer 3. During the episode, Abhijeet had argued that an artist’s stature diminishes when they perform at weddings solely for financial gain. Neha strongly disagreed with his perspective, maintaining that no profession or performance is inferior if it is done with respect.

Defending artists who perform at private celebrations, Neha had said, “Kaam koi chhota ya bada nahi hota hai. If someone is inviting you with love and respect, there is nothing wrong with singing at weddings.”

While Abhijeet’s latest comments acknowledge Neha’s talent, they also underline his long-standing belief that the live entertainment business should remain sustainable for everyone involved—not just the performers, but also the organizers who invest heavily in making concerts possible.