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Review of Telugu film Ala Vaikunthapurramuloo: Allu Arjun is a masterclass of swag
Review of Telugu film Sarileru Neekevvaru: A treat for Mahesh Babu’s fans
Review of Bombshell: Hollywood’s first major MeToo film, is problematic
Rewind: When Salman Khan Took Sooraj Barjatya’s help To Convince Bhansali About Aishwarya
Review of Chhapaak: A gut-wrenching masterpiece
Review of ALTBalaji’s Gandii Baat 4: Bats for women’s empowerment, albeit with known retrograde clichés
Review of Darbar: Dubbed Hindi ruins Rajinikanth’s punchlines in Darbar
Review of ZEE5’s The Chargesheet – Relentless in pace, resolute in grip, razor-sharp in narrative
Review of Tanhaji: Saif, Sharad Kelkar steal the show
Amitabh Bachchan gets trolled for not speaking up, but why should he?
Review of Chinese film So Long, My Son: Is China’s Own Mother India
Year-Ender 2019: Top TV Controversies
Year-Ender 2019: Top Internet Sensations
Review of English film The Informer: Formula action at its fabulous best
Review of Netflix film Ghost Stories: A terrific opportunity lost to self-indulgence
Review of Sab Kushal Mangal: A wacky love triangle in the cow belt
Review of Shimla Mirchi: Why bother with this Mirchi?
Year Ender 2019: Top Bollywood Songs
Review of Bhangra Paa Le: A stuffed paratha of music, romance and nostalgia
Review of Cubicles – An effervescent take on the corporate quibbles of every young ‘un
Year-Enders 2019: Best Tamil films on the streaming platform
Amitji, You are one of your kind
Year-Ender 2019: Top TV Actresses
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