Actress Simron Upadhyay, who is currently seen in the Colors TV show Noyontara, believes preparation and trust in the creative process are key to delivering honest performances. Speaking about how she approaches a new role, the actor shares that workshops play a crucial role in shaping her journey.
“Before a show begins, we usually have workshops with the director, and those really help. For Noyontara, Ravi sir conducted very detailed workshops, especially because we also had an outdoor shoot in Kolkata. That process helped immensely,” Simron says.
Praising her director, she adds, “He is exceptional with the insights he shares. They have genuinely made me a better actor. He is very particular about what he wants and does not settle until we give our best shot. Initially, it was challenging, but in the end, it helped all of us grow and truly become our characters.”
Talking about her process of getting into character, Simron explains how television allows actors to grow into their roles organically. “With TV shows, you gradually grow into the character because you spend more than twelve hours every day living with it. Workshops help you understand the character deeply, and after that, it is about learning the script well. Once you are confident with the lines, improvisation comes naturally.”
Reflecting on the most challenging role of her career so far, the actress names her character Noor from Rabb Se Hai Dua. “It was a comedy role, and I genuinely believe comedy is the toughest genre. Making people laugh through acting is extremely challenging. It was very different from what I had done before, but I loved every bit of it.”
When asked about a dream role, Simron did not hesitate. “I would love to portray Sania Mirza. Sports and I share a very deep connection, so playing her would be incredibly special for me.”
Having also worked in a historical drama in Kolkata, she speaks about how period roles demand a different kind of preparation. “The biggest challenge is the language. It is more old school, colloquial, and nuanced. Mastering the language is crucial, and that is where most of the work goes in.”
On balancing the script with her own individuality, Simron describes herself as a director’s actor. “I trust my instincts, but I always prioritise what the director wants. Over time, as you get comfortable with the character, you understand how far you can push and where you can add your personal touch.”
Simron also believes that the representation of women on television is evolving. “Television has largely been women-centric, but now we are seeing progress in how female characters are written and portrayed. They are more layered, independent, and meaningful than before.” For the actor, being part of socially relevant stories holds great importance. “It matters a lot to me. I have strong opinions, and as a student of International Relations and Strategic Studies, I am constantly observing what is happening around the world. I want to speak about real issues and share perspectives, and if my work can align with that, nothing could be better.”
