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The Bads Of Bollywood: Hope Aryan Khan Is More Than A Daddy’s Boy?
Invisible Struggles: How Night Always Comes Exposes The Economic Violence Of Capitalism
The Great Indian Kapil Show S3 Episode 9: Music, Madness, & Fulljar’s Mic-Drop Moment
Tehran Review: Intense, Intimidating & Power-Packed
Andhera Review: A Visceral Knockout You Won’t Forget
Saare Jahan Se Accha Review: Tense, Textured & Emotionally Rich
Court Kacheri Review: A Realistic Legal Drama That Hits Too Close To Home
The Great Indian Kapil Show S3 E8 – Sibling Chaos, Chapals, & Some Unexpected Warmth
Arabia Kadali Review: Balances Grit With Grace In A Sea Of Silence
Salakaar Review: Despite a Strong Cast, A Spy Story Misses The Mark
Mayasabha: Rise of the Titans Review: Triumphs As A Gutsy, Gripping Take On Andhra’s Political Legacy
Netflix’s Wednesday Season 2 Review: A Riveting Blend Of Darkness And Charm
Prime Video beyond Panchayat: OTT platform goes weak on stories?
Vir Das’ Fool Volume — all the world’s a stage, and he’s the smartest fool in it
The Great Indian Kapil Show S3 E6 Review: Podcasters on the couch ring with safe humour
How A Deadpan Teen In Black Became A Global Hail—A Closer Look At Wednesday
Mandala Murders Review: A Chilling Narrative
Rangeen Series Review: A Bizarre Take With No Catharsis
Hunter Season 2 Review: Gritty, Gripping Action Drama
Special OPS 2 Review: Himmat Singh’s strong comeback, Tahir Raj Bhasin surprises as the villain
The Great Indian Kapil Show S3 Episode 4 Review: A dash of ‘K-pop’ to desi OTT heroes flavour
Review Aap Jaisa Koi: Love Story For The Ages
Mitti: Ek Nayi Pehchaan Review: A Simple Soulful Tale
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