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Rajkummar Rao – Decoding His ‘Raj’ At Box-Office in 2024
What Will It Take For Reality Shows To Grow Up?
‘Mirzapur S3’ Bonus Episode Review: Great example of fan service without going overboard
‘IC 814: The Kandahar Hijack’ Review: Powerful Dream Cast, Compelling Plot
‘Scaring’ All The Way To Banks: The Superhit Horror Genre
Navratri Week Epic Clashes: Mohanlal’s Barroz, Dhruva Sarja’s Martin, Alia Bhatt’s Jigra, Rajinikanth’s Vettiayan And Suriya’s Kanguva – Which Film Has Your Money?
‘Follow Kar Lo Yaar’ Review: An Unabashed Uorfi Showing Her Flawed Yet Real Side
Keep Calm And Admire Netflix’s Content Coup
Seasoned Actors Romancing Similar-Aged Actresses – A Rarity; Can It Work?
‘Alien: Romulus’ Review: Gloriously Gory, Tantalizingly Thrilling, Visually Stunning
‘Angry Young Men: The Salim-Javed Story’ Review: A Cinephile’s Delight Reminiscing Two Living Legends
Turbo, Why Mammootty, Why???!!!
Review Of Bengali Movie ‘Babli’: Enchants With Poignant Performances and Mesmerizing Music
Citadel Honey Bunny: Prime’s Big Bet To Content Glory
Review of Double iSmart: Puri Jagannadh Should Take A Long Sabbatical
‘Stree 2’ Review: Funnier, Scarier, Absolute Knockout
‘Vedaa’ Review: Sharvari is the beating heart of this relentless slobberknocker
Stree VS Vedaa VS Khel Khel Mein: The Ultimate Battle Of The Box Office
‘Shekhar Home’ Review: A Desi Sherlock That Works Wonders
Review of Colors’ Megha Barsenge: An Emotional, No-Facade Tale Of Abandoned Bride And Its Aftermath
Review: ‘Khel Khel Mein’ shows the Akshay Kumar we yearned for
‘Phir Aayi Hasseen Dillruba’ Review: A worthy addition to the pulpy mysterious world of Dinesh Pandit
‘Borderlands’ Review: A messy mayhem that keeps getting worse & worse
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