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‘It Ends With Us’ Review: A rare & relatable romantic drama that hits you in the gut but leaves you with a smile
Survival Drama Concepts, A Sure-Shot Success: Aadujeevitham: The Goat Life, Manjummel Boys And 2018 Effectively Prove It
‘Gyaarah Gyaarah’ Review: A glitch in time is fine; works primarily due to the impressive performances
‘Ghuspaithiya’ Review: An earnest attempt to showcase a taut cyber crime saga
An Analysis on How Cinematography Conveys Moods & Tells a Story More Effectively
Strangely, Karan’s ‘Johar’ was missing from the Ambani wedding bling, but why?
Ekdum Jhakaas: Anil Kapoor’s the new BIGG BOSS
Remake Madness Not Working, Bollywood Needs To Be More Original In Content
‘Auron Mein Kahan Dum Tha’ Review: An Ode To Old-School Romance That Works in Parts
‘Ulajh’ Review: Spearheaded By An Earnest Janhvi Kapoor, Ulajh is An Entangled Mess
Films Being Reborn on OTT; Why It Happens?
Raayan Is Winning Hearts; Is It Dhanush’s Best Performance?
The Quagmire Called Bengali Film Industry: Of Chaos, Conflict & Creativity
Triptii Dimri: All About Sensuality Or There is More To Her?
‘Deadpool & Wolverine’ Review: Breathing Life & Great Humor Back into The MCU
Separation in Tinseltown: Sad But Not Bitter Anymore
Review of Star Plus’ Dil Ko Tumse Pyaar Hua: Effective Execution Of The ‘Often-Seen’ Color Discrimination Tale With A Well-Blended Love Story
Review Of Milkshake Murders: A Thrilling Ride
Colors Bangla: Redefining Bengali Entertainment
Hotness Overloaded: ‘Bearded’ Stylish Actors In TV
Bluetick Review: Hooks You Right From The Start
Dear Akshay Kumar: Take A Moment & Hang On
‘Bad Newz’ Review: Good Humor & Performances Partially Make Up For The Lost Potential
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