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Suhana Khan in King and Aryan Khan with B**ds of Bollywood: Can Shah Rukh Khan save his Gen next?
Rupali Ganguly Questions the National Awards—And She’s Not Wrong
Raanjhanaa AI ‘Robo-boot’—feels like a theft of a warm story
Has YRF Scored Over Dharma in the ‘Launchpad’ Game?
Bigg Boss is back: How long can Salman Khan hold fort?
Prime Video beyond Panchayat: OTT platform goes weak on stories?
Ahaan Panday Saiyaara success: What does it mean for the other newer lot?
Bhuvan Bam in Bollywood: Can influencers register box office success?
Vir Das’ Fool Volume — all the world’s a stage, and he’s the smartest fool in it
Ekta Kapoor’s Iconic Soap Returns: Will Kyunki Rule Prime Time Again?
Ajay Devgn-Mrunal Thakur in Son Of Sardaar 2: New On-Screen Dhamaal Bollywood Jodi
What’s So Special About Saiyaara?
Son Of Sardaar 2 and the dance of Box Office
Acting Without Vanity: The Kay Kay Menon Method
Dhadak 2 and Why It Is Important For Indian Cinema
Comedy, Action, Emotions: Things To Expect From Son Of Sardaar 2
Saiyaara Success Shows Bollywood Needs New Heroes
The Stoic Silence Of Brilliant Ali Fazal
Why Has Deepika Padukone’s ‘8-Hour’ Request Sparked a Month-Long Culture War?
Metro, In Memory: The Void Left By Irrfan Khan
Why Ramayana does not make box office sense
Harry Potter is back—so, Potterheads, is it going to be a nostalgic checkmate?
Konkona Sen Sharma: Why Are You So Good!
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