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Review of Hungama’s Damaged 2: Of thrills and chills
Review of Richard Jewell: At 90, it is Clint Eastwood’s ‘Jewel’ In The Crown
Review of 1917: Much More Than A War Epic
Review of Dolittle: Does little for the classic original
Review of Jai Mummy Di: A far smarter rom-com than it seems
Review of Netflix’s Jamtara: Evocative, provocative, but not persuasive enough
This Bollywood Actress To Try The Bihari Dialect? We Forgive Hrithik
Scandal Point: What Actually Happened to Divya Bharti
Review of Code M: Will be cracked well by the audiences
Year-Ender 2019: Super Singers Of The Year (Independent Music)
Review of Telugu film Ala Vaikunthapurramuloo: Allu Arjun is a masterclass of swag
Review of Telugu film Sarileru Neekevvaru: A treat for Mahesh Babu’s fans
Review of Bombshell: Hollywood’s first major MeToo film, is problematic
Rewind: When Salman Khan Took Sooraj Barjatya’s help To Convince Bhansali About Aishwarya
Review of Chhapaak: A gut-wrenching masterpiece
Review of ALTBalaji’s Gandii Baat 4: Bats for women’s empowerment, albeit with known retrograde clichés
Review of Darbar: Dubbed Hindi ruins Rajinikanth’s punchlines in Darbar
Review of ZEE5’s The Chargesheet – Relentless in pace, resolute in grip, razor-sharp in narrative
Review of Tanhaji: Saif, Sharad Kelkar steal the show
Amitabh Bachchan gets trolled for not speaking up, but why should he?
Review of Chinese film So Long, My Son: Is China’s Own Mother India
Year-Ender 2019: Top TV Controversies
Year-Ender 2019: Top Internet Sensations
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