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Freakier Friday Review: A Lighthearted Family Comedy That Blends Nostalgia With Chaos
Salakaar Review: Despite a Strong Cast, A Spy Story Misses The Mark
Review of Zee TV’s Chhoriyan Chali Gaon: Enjoyable, Strikes A Good Balance Between Two Different Worlds
Mayasabha: Rise of the Titans Review: Triumphs As A Gutsy, Gripping Take On Andhra’s Political Legacy
Netflix’s Wednesday Season 2 Review: A Riveting Blend Of Darkness And Charm
Suhana Khan in King and Aryan Khan with B**ds of Bollywood: Can Shah Rukh Khan save his Gen next?
Rupali Ganguly Questions the National Awards—And She’s Not Wrong
Raanjhanaa AI ‘Robo-boot’—feels like a theft of a warm story
Has YRF Scored Over Dharma in the ‘Launchpad’ Game?
Bigg Boss is back: How long can Salman Khan hold fort?
The Great Indian Kapil Show S3 E7 Review: Parineeti Chopra & Raghav Chadha’s ‘prem sabha’ is a fun banter
Pati, Patni Aur Panga Review: ‘Masala’ entertainment, Rubina-Abhinav shine, Hina-Rocky fail to impress
Putulnacher Itikatha Review: Poetic, Patient & Profound
The Naked Gun Review: Armed to the teeth with jokes
The Bad Guys 2 Review: Badder, Funnier, And Loving It
Dhadak 2 Review: No Sugar-Coating, No Stereotypes & Fearlessly Real
Son of Sardaar 2 Review: Pure, Punjabi-Powered Entertainment
Prime Video beyond Panchayat: OTT platform goes weak on stories?
Ahaan Panday Saiyaara success: What does it mean for the other newer lot?
Bhuvan Bam in Bollywood: Can influencers register box office success?
Aamir Khan’s Sitaare Zameen Par YouTube Bet: Boon Or Bane?
Vir Das’ Fool Volume — all the world’s a stage, and he’s the smartest fool in it
Kyunki Saas Bhi Kabhi Bahu Thi 2 Review: Powerful Storytelling, Impactful Performances
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