Kanwaljeet Singh
Daayra Box Office Collection Day 6: Kareena Kapoor-Prithviraj Sukumaran’s Film Earns Just ₹45 Lakh
Meghna Gulzar-directed Daayra, a purpose-driven film, failed to impress audiences at the box office, with collections dropping each day. The crime thriller starring Kareena Kapoor and Prithviraj Sukumaran saw another 10 percent drop compared to the previous day (Day 5). According to Sacnilk, the film approximately earned just ₹45 lakh net on Day 6 (First Wednesday), reflecting its sluggish theatrical run. The film earned this low amount across 1,401 shows, with occupancy declining to just 10 percent. Overseas, there is no relief either; the film saw a decline in collection | Click Here...
Daayra Box Office Collection Day 5: Kareena Kapoor’s Film Sees No Growth, Earns Only ₹50 Lakh
Starring Kareena Kapoor as DCP Ajooni Kohli, the crime thriller failed to impress audiences at the box office despite its promising craft. The film continues to struggle with no improvement in its latest collection. Directed by Meghna Gulzar, the film reportedly earns a mere ₹50 lakh net on Day 5 (First Tuesday), reflecting its continued sluggish run. The film, which also stars Prithviraj Sukumaran as DCP Raman Kumar, pulled in low numbers across roughly 1,493 shows with just 15 percent occupancy. Overseas markets also saw no improvement; rather, the collection dropped to just ₠| Click Here...
Daayra Box Office Collection Day 4: Kareena Kapoor’s Film Drops Drastically, Falls Short Of ₹5 Cr Net
Starring Kareena Kapoor and Prithviraj Sukumaran in the powerful roles of DCP Ajooni Kohli and DCP Raman Kumar, Daayra failed to make an impact even in its first week. After the first weekend, the film fell flat on Day 4 (First Monday), struggling to touch the ₹5 crore net milestone. While a post-weekend drop is normal for off-season releases, this sharp 74.3% deceleration signals minimal theatrical longevity. The Meghna Gulzar-directed film collected ₹0.45 crore net (₹45 lakhs) on Day 4 (First Monday) across 1,562 shows with just 11 percent occupancy. Overseas, the film colle | Click Here...
Daayra Box Office Collection Day 3: Kareena Kapoor-Prithviraj Sukumaran’s Film Remains Under ₹5 Cr Net
Meghna Gulzar's Daayra, a gritty thriller exploring extrajudicial encounters and the grey areas of institutional morality, received positive-to-mixed reviews from critics. However, despite the intense post-release word-of-mouth, the film is struggling to find significant footfall at the box office. On Day 3 (First Sunday), the film directed by acclaimed filmmaker Meghna Gulzar collected ₹1.75 crore net across 1,839 shows with 20 percent occupancy, unchanged from the previous day (Day 2/First Saturday), according to Sacnilk reports. The film saw 22.13 percent overall occupan | Click Here...
Review of JAR Pictures’ Tabbar: Is A Tense Family Drama
Tabbar(SonyLIV, 8 Episodes) Starring Pavan Malhotra, Supriya Pathak, Gagan Arora, Paramvir Singh Cheema, Kanwaljeet Singh and Ranvir Shorey Directed by Ajit Pal Singh Rating: **** There is much that is wrong with Tabbar, an 8-episode tense and traumatizing drama that asks what Manoj Bajpai asked in The Family Man: how far would you go to protect your family? Not that Tabbar is in any way related to The Family Man.They are as separate as Jalandhar and Jaffna. Set in the curiously vivacious bustle of Jalandhar(cinematographer Arun Kumar Pande | Click Here...
Review of Netflix’s Typewriter: A tale of horror steeped in the wonders of childhood
In the content creation space, the horror genre is a difficult one to pull off to the finicky viewer’s satisfaction. Some get it spectacularly and go on to create horror masterpieces; while some trudge along the path of horror, churning out mediocre horror turkeys at best. Yet, good or bad, horror has always been a favourite genre of audiences of all ages. C’mon, admit it – we all love a good scare. Even if we do end up watching the scary bits through the mesh of our fingers covering our eyes, there’s nothing as invigorating as getting your adrenaline rushing, heart thumping | Click Here...
Digital is giving theatre a huge run for its money: Kunal Kohli
Well-known film producer and director, Kunal Kohli, is quite excited that his long-delayed, Jennifer Winget - starring romantic flick, Phir Se, will finally see the light of day, albeit on digital. It will stream on Netflix. “Today, digital is a very important source of revenue, as the cost of theatrical releases has gone up a lot, making it commercially unviable, especially for smaller films-makers. Also, digital gives you a huge potential audience base, all over the world. Internationally, digital is giving theatrical a huge run for its money. Brad Pitt’s films are being rele | Click Here...