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Reasons why Sony TV’s KBC stands the test of time
Should AI Be Allowed To Rewrite A Director’s Vision?
The Great Indian Kapil Show S3 E8 – Sibling Chaos, Chapals, & Some Unexpected Warmth
The Brilliance Of Farhan Akhtar Is Back With 120 Bahadur
Weapons Review: Hits Hard, Stays Haunting
Arabia Kadali Review: Balances Grit With Grace In A Sea Of Silence
Freakier Friday Review: A Lighthearted Family Comedy That Blends Nostalgia With Chaos
Salakaar Review: Despite a Strong Cast, A Spy Story Misses The Mark
Review of Zee TV’s Chhoriyan Chali Gaon: Enjoyable, Strikes A Good Balance Between Two Different Worlds
Mayasabha: Rise of the Titans Review: Triumphs As A Gutsy, Gripping Take On Andhra’s Political Legacy
Netflix’s Wednesday Season 2 Review: A Riveting Blend Of Darkness And Charm
Suhana Khan in King and Aryan Khan with B**ds of Bollywood: Can Shah Rukh Khan save his Gen next?
Rupali Ganguly Questions the National Awards—And She’s Not Wrong
Raanjhanaa AI ‘Robo-boot’—feels like a theft of a warm story
Has YRF Scored Over Dharma in the ‘Launchpad’ Game?
Bigg Boss is back: How long can Salman Khan hold fort?
The Great Indian Kapil Show S3 E7 Review: Parineeti Chopra & Raghav Chadha’s ‘prem sabha’ is a fun banter
Pati, Patni Aur Panga Review: ‘Masala’ entertainment, Rubina-Abhinav shine, Hina-Rocky fail to impress
Putulnacher Itikatha Review: Poetic, Patient & Profound
The Naked Gun Review: Armed to the teeth with jokes
The Bad Guys 2 Review: Badder, Funnier, And Loving It
Dhadak 2 Review: No Sugar-Coating, No Stereotypes & Fearlessly Real
Son of Sardaar 2 Review: Pure, Punjabi-Powered Entertainment
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