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Review of Marathi film AB Aani CD: Quaint, Insipid, Uninspired
Review of Beanpole: A Dark Depressing Brooding Discourse On Desire
Review of Ullu’s Smartphone: Sharp storytelling, Hina Khan steals the show
Review of Netflix’s Murder to Mercy: The Cyntoia Brown Story: Says Nothing About The Law or Its Casualties
Review of VOOT Select’s Illegal: Gets Into Legalese With Aplomb
When Rishi Kapoor, Kamal Haasan and Ramesh Sippy Crushed On Dimple Kapadia
Review of To The Stars: Has A Great Film Lurking In Its Folds
Review of Netflix’s All Day & A Night: Wasted Opportunity to Portray Wasted Lives
Review of Netflix’s Mrs Serial Killer: Insufferable Pretentious Puerile Garbage
Review of Extra Ordinary: Horror-Comedy At Its Wretched Best
Review of The Rhythm Section: Not-Bad-But-Not-Good-Enough Thriller
When Rishi Kapoor Lost Dimple Kapadia To Rajesh Khanna
Rishiji, Alvida, Will Miss Your Moody Responses
Review of Bad Education: Good, Very Good Cinema
Review of My Spy: Buddy Buddy Baatein
When Both Rajesh Khanna & Amitabh Bachchan Wanted To Die
Review of Netflix’s Extraction: Keeps Us Engrossed Through Its Predictable Plotting
Blast From The Past: Lata Mangeshkar and Asha Bhosle United As One
Review of Amazon Prime’s Like A Boss: Bizarre Cosmetic Rom-Com
Review of Emma: Jane Austen’s Classic Comes To Life Again
Review of French film By The Grace Of God: Paedophilia Drained of Feelings
Review of Voot Select’s The Raikar Case: Intriguing whodunnit that keeps you glued to screens
Review of Netflix’s Hasmukh: Dark humour at its darkest
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