Review of Netflix film Marriage Story: Saddest and the most heart-breaking film of the year | IWMBuzz reviews the Netflix film Marriage Story through the eyes of Subhash K Jha. Read it here.

Review of Netflix film Marriage Story: Saddest and the most heart-breaking film of the year

Starring  Scarlett Johansson, Adam Driver

Directed  by  Noah  Baumbach

Rating: ****(4 stars)

Nothing in a marriage is  more awful than its death. Watching two attractive fairly young people tear apart and tear each other apart  is not a pleasant sight. Somehow, by some  miracle of cinematic magic, writer –director Noah Baumbach makes the ugly aftermath of  a broken marriage look infinitely tragic and uncorrupted.This  remarkable film remains purehearted even as the couple gets down to being really lowdown and dirty to each other.

It is as though Bamumach dives into the deepest  recesses of the couple’s mutual hurt and emerges with truths that are like paintings on a bare newly-painted wall staring at us, each with a story of its own. Not unlike the paintings of his 8-yearold son that Charlie (Adam Driver, exceptional ) puts up on the walls of his  new apartment in Los Angles where he must seek a second home away from New York in order to be near his son after his wife moves to  LA.

Bewildered  by the swerve  that his life and marriage have taken, Charlie blindly follows his lawyer’s instruction, only to discover that his wife Nicole’s lawyer (Laura Dern) is far smarter .

As Charlie stares at the impending and frightening prospect of being taken to the laundry by his wife and her clever lawyer, Adam surrenders to his fate as much as he can. Then when his patience runs out he cries, weeps, sobs.

I have seldom seen an actor on screen break down with such heartbreaking  honesty.When Adam Driver weeps, it becomes a manifestation of more than immediate grief. This man is hurt and wounded beyond the ugly words that he  throws at his wife in the starkest most  brutal marital fight I’ve seen since Richard Burton -Elizabeth Taylor and Rajesh Khanna-Sharmila Tagore spewed venomous post-marital vows at each other in Who’s Afraid Of Virginia Woolf and Aavishkar.

The intensity of their shared tensions explode on the screen with a noiseless griefstricken thud. Baumbach spares  us the background music for most of the film, as  vignettes from a disintegrating marriage play out in front of our misted eyes without adornment. I would like to see one Hindi film that goes easy on the violins and percussions and shows enough confidence in the actors to let them express the full  impact of  their characters’ emotions.

We don’t have the guts to  let the silences speak out the truth of the moment  in our cinema. Or maybe we just don’t have actors of the calibre of Adam Driver and Scarlett Johansson who are so so sooooo into their characters that we see only Charlie and Nicole on screen, split into two halves trying to hold on to the dying vestiges of their  stonecold marriage.

Then we have their son (Azhy Robertson) trying to figure out with his  8-year old’s mind what his parents are going through. And then we see the  lawyers, played by some of  America’s finest actors Laura Dern, Alan Alda  and  Ray Liotta pitching the couple into a murky courtroom battle where not just dirty but even clean laundry is washed in full public view.

All these are great  actors (though I wish Ms Dern wouldn’t ‘act’ all the time). They contribute tremendously into creating  a marital drama that every couple out there would identify with me. Not that there are no funny moments in the storytelling. There  is a particularly hilarious sequence where Nicole’s  mother (Julie Hagerty)  and  sister (Merritt Wever) must officially serve the divorce notice to Nicole’s husband whom they adore, and there is an outstanding sequence where the marriage evaluator (Martha Kelley) visits Charlie and his son. I didn’t know whether to laugh or cry at what happened during that weird visit.

But I do know Marriage Story is the saddest most heartbreaking film of the year. It is also a warning. Divorce is demeaning and ugly.  To be avoided as  much as  possible. Embrace the film.

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