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‘Mirzapur’ Going Cinema: Other Shows Which Can Make The Cut
Opinion: Female Stars Turning Producers: Worth The Buck?
Sexual content and sensationalism in Indian entertainment: Is shock value replacing meaningful storytelling?
Do Patti Review: Kriti Sanon Trumps The Aces With Her Do Patti Act
‘Venom: The Last Dance’ Review: It is The Bromance That Connects in A Flawed Yet Satisfying Trilogy
‘Bandaa Singh Chaudhary’ Review: Arshad Warsi & Meher Vij shine giving a brave take on armed militants saving their home
‘Fisaddi’ Review: Bhuvan Arora & Poojan Chhabra put heart and soul in this endearing and relatable tale of brotherhood
Fahadh Faasil, Time To Stay Away From Mediodre Roles And Stand Out As A Performer!!
Opinion: Movie Promotions With Content Creators: Box Office Boon or Bane?
The Infighting In Bollywood And Death Of Art
Opinion: Are Lengthy Film Trailers Necessary?
‘Reeta Sanyal’ Review: Adah Sharma’s anchored performance makes up the bumps
Bengali Cinema And Box Office: Is Commercial Cinema Back In Business?
Of Guns & Glamour: The Baba Of Bollywood
Is Anupamaa On The Right Path To Emulate The Success of Yeh Rishta Kya Kehlata Hai? – An Observation
Television Is No Longer Making Stars: An Observation
Gutur Gu S2 Review: Distance Makes Heart Grow Fonder
‘Jigra’ Review: Alia Bhatt Proves Again Why She is Bollywood’s ‘Jigra’
Dear Bhool Bhulaiyaa And Singham Makers: Why Clash When You Can Make Cash?
‘Vicky Vidya Ka Woh Wala Video’ Review: A Roaring Malika Sherawat Comeback Makes Up For Haphazard Writing
‘Zindaginama’ Review: ‘ Bhanwar’ & ‘One Plus One’ deal with two core mental illnesses with subtlety & nuance
‘Tekka’: Srijit Mukherji’s Gripping Thriller Explores Class Struggle
Unraveling Deceit and Redemption: ‘Bohurupi’ Thrills with Cop-Police Chase and Cultural Authenticity
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