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Chamak: The Conclusion – A Stretched Melody with a Cliffhanger Encore
Impact Of IPL Over Hindi GEC: An Industry Take
The One-Take Madness: Adolescence Proves Risk Ignites Revolution
OPINION: The Comedy Gone Wrong: Samay Raina to Kunal Kamra
‘Sikandar’ Review: Salman Khan’s Aura Outshines Logic in This Massy Mayhem
‘L2: Empuraan’ Review: Pushes Cinematic Boundaries While Getting Indulgent
Bengali Cinema Needs Its Folk Revival: A Call To Reclaim The Roots
Burden Of Legacy: Why Bollywood’s Gen-Z Star Kids Can’t Escape Comparisons To Their Superstar Parents
‘Snow White’ Review: Mighty Mirror on the Wall, Was This Remake Needed at All?
‘Khakee: The Bengal Chapter’ Review: Power Packed Action Entertainer
OPINION: What’s Ailing Star-Kid Debuts?
Be Happy Review: Abhishek Bachchan’s Finest, Wrapped in Grief, Dance, and Love
Dainee Review: A Brutal Reflection of Ancient Fears
‘The Diplomat’ Review: A Riveting Political Thriller with a Refreshingly Restrained John Abraham
Dear Netflix, Why Would You Agree To Something Like Nadaaniyan?
OPINION: Will Sonakshi Sinha Break Barriers With Unconventional Role in ‘Jatadhara’?
‘Nadaaniyan’ Review: All Gloss, No Soul, and Nada to Remember
Dupahiya S1 Review: Small-Town Drama, Big-Time Laughs
‘The Waking of a Nation’ Review: A Bullet From The Past That Still Rings Loud
‘Mickey 17’ Review: Bong Joon-Ho Turns Existential Dread into Sci-Fi & Comedy Gold
OPINION: Reality Shows: Lack of New Formats, Need of Reinvention
OPINION: Oscars 2025: The Wins, The Shocks, The Snubs & That Joke
‘Dabba Cartel’ Review: A Spicy Thriller That Simmers But Spills!
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