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Mayasabha: Rise of the Titans Review: Triumphs As A Gutsy, Gripping Take On Andhra’s Political Legacy
Netflix’s Wednesday Season 2 Review: A Riveting Blend Of Darkness And Charm
Prime Video beyond Panchayat: OTT platform goes weak on stories?
Vir Das’ Fool Volume — all the world’s a stage, and he’s the smartest fool in it
The Great Indian Kapil Show S3 E6 Review: Podcasters on the couch ring with safe humour
How A Deadpan Teen In Black Became A Global Hail—A Closer Look At Wednesday
Mandala Murders Review: A Chilling Narrative
Rangeen Series Review: A Bizarre Take With No Catharsis
Hunter Season 2 Review: Gritty, Gripping Action Drama
Special OPS 2 Review: Himmat Singh’s strong comeback, Tahir Raj Bhasin surprises as the villain
The Great Indian Kapil Show S3 Episode 4 Review: A dash of ‘K-pop’ to desi OTT heroes flavour
Review Aap Jaisa Koi: Love Story For The Ages
Mitti: Ek Nayi Pehchaan Review: A Simple Soulful Tale
The Kapil Sharma Show: Classy Comedy That Never Fails
Panchayat To Be Back Again: Too Much Lauki On The Plate?
Clothes Off, Camera On: Embracing Ignominy
The Weird Pseudo-Intellectual Fundas of Nikhil Kamath
Why Priyanka Chopra’s ‘Heads of State’ Is Worth Your Time
Why ‘The Bear’ Is the Most Human Show On TV Right Now
Jitendra Kumar: Performance That Packs A Punch
This is how I am—nullifies your grace; Ram Kapoor must realise it
The Hunt—The Rajiv Gandhi Assassination Case Review: A clear-eyed dive into nation’s darkest hour
A for Aadil; A for Amazing: Khakee’s Wonder Boy
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