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Opinion: Movie Promotions With Content Creators: Box Office Boon or Bane?
The Infighting In Bollywood And Death Of Art
Opinion: Are Lengthy Film Trailers Necessary?
‘Reeta Sanyal’ Review: Adah Sharma’s anchored performance makes up the bumps
Bengali Cinema And Box Office: Is Commercial Cinema Back In Business?
Of Guns & Glamour: The Baba Of Bollywood
Is Anupamaa On The Right Path To Emulate The Success of Yeh Rishta Kya Kehlata Hai? – An Observation
Television Is No Longer Making Stars: An Observation
Gutur Gu S2 Review: Distance Makes Heart Grow Fonder
‘Jigra’ Review: Alia Bhatt Proves Again Why She is Bollywood’s ‘Jigra’
Dear Bhool Bhulaiyaa And Singham Makers: Why Clash When You Can Make Cash?
‘Vicky Vidya Ka Woh Wala Video’ Review: A Roaring Malika Sherawat Comeback Makes Up For Haphazard Writing
‘Zindaginama’ Review: ‘ Bhanwar’ & ‘One Plus One’ deal with two core mental illnesses with subtlety & nuance
‘Tekka’: Srijit Mukherji’s Gripping Thriller Explores Class Struggle
Unraveling Deceit and Redemption: ‘Bohurupi’ Thrills with Cop-Police Chase and Cultural Authenticity
Opinion: Slow & Steady: Films That Ran Over 4 Weeks & Won The Race
Gore To Glory: Dark Subjects Lure OTT Audiences
Bigg Boss 18 Premiere Review: A Few Sparks & Salman Khan being his charming self
‘CTRL’ Review: Clutter-Breaking, Authentic & Riveting
‘Highway Love S2’ Review: A More Dramatic Yet Intricate Look Into Kartik & Inaaya’s Love Story
‘White Bird’ Review: A Warm Hug For Your Soul & A Wholesome Reminder To Be Kinder
Bhao Over Bhai: Riteish Deshmukh Better Host Than Salman Khan?
Review of Zee TV’s Jagriti: An Effective Plot With Compelling Characterizations And Inspiring Portrayals
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