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Bollywood’s Thriller Renaissance: “Woh Kaun Thi” “Gupt” “Mera Saaya” and beyond
Bambai Meri Jaan, A Gripping Revisitation To The Cult Of Gangsterism
Review of Star Plus’ Keh Doon Tumhein: Unusual love story set amid serial killings; execution can be better
Miss Shetty Mr Polishetty Is Delightfully Pert Precocious & Progressive
How Karan Johar altered ‘gender stereotypes’
Hidimbha , Eat Is A Grisly Take On Cannibalism
Vikram Rathore Roars In Jawan
Haddi Is A Lost Opportunity On Exploring Transgender Rage
Shabana Azmi On Godmother Which Turns 24 Today
Goldfish, Deepti, Kalki Do A Brilliant Bratty Breakout Boribunder Version Of Bergman
Scam 2003: The Telgi Story, The Anatomy Of Profound Fraudulency
King Of Kotha Riveting & Powerful
Indigenous representation in Indian cinema: Shedding light on ‘Sonchiriya’, ‘Dhabari Quruvi’, ‘Apu Trilogy’ and others
Review of Star Plus’ Baatein Kuch Ankahee Si: Rich spectacle of a wonderful script and great performances
Dream Girl 2, Ayushmann Khurrana’s Drag Act Saves The Day
Mona Lisa & The Blood Moon: Damaged People In A Well-Structured Film
Akelli Gets The Thrill Quotient Right
1001 Nunakal,Stagey Claustrophobic & Unconventional
Red White & Royal Blue, A Feelgood Fairy Tale
Padmini Will Make You Laugh A Lot, Cry A Little
Kolla Is Less A Crime Drama, More A Comment On Greed
Guns & Gulaabs & A Whole Lot Of Mirthful Mayhem
Medal Is The Punjabi Gadar
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